TCM Greatest Classic Films Collection: World War II – Battlefront Europe (Kelly’s Heroes / Exactly where Eagles Dare / The Dirty Dozen / Battleground)
Posted by | Posted in XBox New Games | Posted on 28-08-2011-05-2008
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TCM Greatest Classic Films Collection: Globe War II – Battlefront Europe (Kelly’s Heroes / Where Eagles Dare / The Dirty Dozen / Battleground)
KELLYS HEROES They were goldbricks until they identified out about the gold bricks a fortune in Nazi-confiscated bullion! Clint Eastwood reups with the director of his Where Eagles Dare for this alternately action-filled and tongue-in-cheek tale of GIs wh
List Cost: $ 27.92
Cost: $ 10.41
Four of Warner’s wartime best,
As I’ve mentioned before this TCM greatest classic film series is all about bringing classic film to the masses at an affordable price. These four films are bare-bones releases of Warner Home Video’s WWII classics. Three of them can be found in the boxed set World War II Collection, Vol. 1 – Battlefront Europe (The Big Red One Two-Disc Special Edition / The Dirty Dozen / Battle of the Bulge / Battleground / Where Eagles Dare). For some reason Kelly’s Heroes has not been upgraded since 2000. It is one of the great offbeat wartime comedies, so I can’t imagine why it has been ignored. Thus in this particular case you are probably getting a better deal than those of us who own the stand-alone DVD of this film. The Dirty Dozen now exists as a two disc special edition – The Dirty Dozen (Two-Disc Special Edition) for those who are interested. Although “Dirty Dozen” is indeed one of the great war films, I think my personal favorite is “Battleground”. Directed by William Wellman it is about the 101st airborne while it is being besieged by the Germans during the Christmas of 1944. I highly recommend this set for its economy and quality.
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|Hollywood’s version of the ETO,
Warner’s TCM GREATEST CLASSIC FILMS COLLECTION is a series of over two dozen twin packs. The four titles in each set are dubbed one per side on two flip discs. Except for promo trailers there’s no bonus features, but what you –do– get are quality transfers of well-preserved ever-popular films, at one low price.
My personal fave in “Battlefront Europe” is KELLY’S HEROES. Saw it twice in a row one Sunday afternoon in 1970 and the next day purchased a 45 of the title song, “Burning Bridges” by the Mike Curb Congregation (MGM).
SYNOPSES–
BATTLEGROUND
Elements of this picture are evident in the “Bastogne” episode of HBO’s BAND OF BROTHERS (2001). Both that mini-series chapter and “Battleground” are about men of the 101st Airborne and their wintry ordeal during the “Bulge.” Surrounded, outnumbered, with little food, warm clothes or ammo and under near-constant artillery barrage, about all that can be done is to hunker down and pray. Director William Wellman created here one of the most realistic of all war films.
THE DIRTY DOZEN
The best known in this set is also the most “Hollywood” of them all. Robert Aldrich directed an all-star cast in Nunnally Johnson’s screenplay about an Army major who trains 12 hardened criminals for a suicide mission behind German lines. Their targets are enemy staff officers taking R&R at a well-guarded chateau.
KELLY’S HEROES
This grim WWII comedy was almost Donald Sutherland’s undoing, for he nearly died from hepatitis during the Yugoslavian shoot. After-effects of his illness are visible in final scenes, where Sutherland looks haggard, thin and has red circles under his eyes. The movie itself is about a small group of American soldiers who go behind enemy lines to steal millions in gold ingots.
WHERE EAGLES DARE
Clint Eastwood’s first war picture includes scenes of Alp scaling. A group of seven commandos is dropped behind enemy lines. Their mission: to rescue an American general who’s being held and interrogated by the SS in a Bavarian mountaintop fortress.
Also recommended:
The perfect companion to this 4-pack is TCM’s BATTLEFRONT ASIA. Contents: “Destination Tokyo” (1943), “Bataan” (1943), “Back to Bataan” (1945) and “The Green Berets” (1968).
Parenthetical numbers preceding titles are 1 to 10 viewer poll ratings found at a film resource website.
(7.6) Battleground (1949) – Van Johnson/John Hodiak/Ricardo Montalban/George Murphy/Marshall Thompson/James Whitmore/Leon Ames/Herbert Anderson/Richard Jaeckel/James Arness/Scotty Beckett (uncredited: Dickie Jones/Jerry Paris)
(7.8) The Dirty Dozen (1967) – Lee Marvin/Ernest Borgnine/Charles Bronson/Jim Brown/John Cassavetes/Richard Jaeckel/George Kennedy/Trini López/Ralph Meeker/Robert Ryan/Telly Savalas/Donald Sutherland/Clint Walker
(7.5) Kelly’s Heroes (1970) – Clint Eastwood/Telly Savalas/Donald Sutherland/Don Rickles/Carroll O’Connor/Gavin MacLeod/Stuart Margolin/Harry Dean Stanton/Gene Collins (uncredited: John Landis, as a nun!)
(7.7) Where Eagles Dare (UK/USA-1968) – Richard Burton/Clint Eastwood/Mary Ure/Patrick Wymark/Michael Hordern/Donald Houston/Ferdy Mayne
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|Core WWII Films in One Place,
At least three of these 4 films are so well known that anyone who is likely to buy this collection is likely to have already seen them, and probably to have memorized choice quotes. (“Drinking wine. Eating cheese. Catchin’ some rays . . . you know!”) They’ve been on heavy rotation as weekend TV-movie filler for decades. But seeing them unaltered and one the widescreen is worth the low price of this set.
The film transfers are uniformly good quality. The extras – mostly “making of . . .” shorts – are OK but not great. In short, this set is exactly what it claims to be, and it’s fine that way. Any WWII or WWII-movie buff ought to have these films in their collection – they are, if not exactly models of historical accuracy, certainly key touchstones of the genre. You can’t have any credibility on the subject without an intimate familiarity with “The Dirty Dozen”, “Where Eagles Dare”, and “Kelly’s Heroes”; “Battleground” is not as well known, but is regarded as an excellent movie of its type, and much more realistic than the other three.
All in all, this is a good set of good movies at a good price. What more do you want?
OK – for the few who actually haven’t seen the films, here’s a capsule summary:
“The Dirty Dozen”: a renegade Army major is tasked with a suicide mission against a Nazi officers’ retreat; he recruits misfits from an Army prison, all sentenced to death or long terms, and offers them the possibility of freedom if they will serve on this mission – but first he has to whip the worst soldiers in the Army into a team of top commandos, then they have to actually execute the mission against insane odds. Naturally, the Dirty Dozen rise to the occasion, but not without paying a price. It’s kind of a goofy, high-spirits combat film, but it’s notable for helping to create the cliche’s that defined the genre thereafter: the “rag-tag band of misfits” who come together when the chips are down; the white racist who grudgingly comes to accept his black comrade; the salad-bowl assortment of token minorities (one black, one Hispanic, one Jew . . .) who earn respect by fighting for it; the selfless sacrifice by one man for his buddies; the hero who gets cut down by gunfire just steps from safety . . . . Also notable for memorable performances by Lee Marvin as the major; football star-turned actor Jim Brown as the doomed token black guy; lounge singer Trini Lopez, as, incomprehensibly, a singing death-row Hispanic commando (???); Charles Bronson as the quiet tough guy; and Telly Savalas as the psychotic killer who can’t hold it together. Good supporting performances by Ernest Borgnine, actor/director John Cassavetes, and a young Donald Sutherland.
“Kelly’s Heroes”: a goofy WWII comedy from 1970 that, reading between the lines, can be seen as embodying more than a little of the anti-war counter-culture of that era; easily the strangest “war movie” set in WWII, arguably not actually a war movie. The plot has renegade busted-Lieutenant-now-Private Kelly (Clint Eastwood) discovering a deposit of Nazi gold bars being held in a small-town bank vault behind German lines. He talks his platoon into staging an unauthorized mission, without knowledge of their officers, during a three-day layover period – they will infiltrate the German sector, find the bank, steal the gold, and be back before anyone notices. Naturally, things go awry. Good comedy work from Don Rickles as the supply-sergeant fixer who pulls the strings for them – for a price, Carrol O’Connor as the raving general who mistakes their bank job for a real assault and races to pin medals on them while they’re still unloading the gold, and Gavin MacLeod (future captain of the “Love Boat”) in a small role. Telly Savalas is back again as the tough sergeant who reluctantly goes along to try to keep his men from getting killed. Donald Sutherland shines in a supporting role as a laid-back beatnik tank driver who provides their heavy armor – when he’s not too stoned to keep awake. The movie is genuinely funny, but there are realistic scenes of intense combat, as well, that keep reminding you that war is no joke – good people die, and often for a lot less reason than a bar of gold.
“Where Eagles Dare”: one of the best-known and well-liked “serious” war movies about WWII, it is in many ways as over-the-top as the two previous films. Staged as a war movie, it’s actually an action/espionage caper; the script was written by mystery-thriller author Len Deighton from his own novel, and could easily have been a James Bond film, other than for all the Nazi uniforms in evidence. The plot has it that a top British officer was captured and is being held in an impregnable German castle high on a mountaintop – reachable only by a suspended tram. A team of British commandos, with one tag-along American (Clint Eastwood, again), has to infiltrate the schloss in disguise. (“Fortunately, you all speak fluent…
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